Hung Fai 熊辉, Wai Pong-yu 韦邦雨
Same Line Twice 19 , 2020
ink on paper 水墨纸本
54 3/8 x 27 1/2 in
138 x 70 cm
138 x 70 cm
Copyright The Artist
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Title: Same Line Twice 19 Dates: May 1 – May 5, 2020 Location: Hung Fai’s studio, Chai Wan Participants: Hung Fai, Wai Pong-yu Size: 70 x 138 cm Tools and...
Title: Same Line Twice 19
Dates: May 1 – May 5, 2020
Location: Hung Fai’s studio, Chai Wan
Participants: Hung Fai, Wai Pong-yu
Size: 70 x 138 cm
Tools and materials: unsized xuan paper, black ink pens, metal rulers, paper sculptures
Interaction: the artists sit on opposite sides of the paper and proceed from one short end to the other sequentially
The artists return to the bipartite composition, but with a twist. Before starting to draw, Hung and Wai each write a positive and a negative memory on two slips of xuan paper and then exchange one of the slips with the other artist (without indicating whether it is positive or negative). Each then materializes and fuses the two memories by turning the slips into a paper sculpture, which anchors the subsequent drawing with imagistic and affective associations. Wai makes a compact, circular well and places a star inside it, introducing the themes of solidity, reclusion, and darkness and light; Hung makes a loose bouquet of flowers, inflecting his lines with feelings of pursuit and remorse. Indeed, Hung’s lines consistently push up against Wai’s despite the stark vertical boundary set by the latter. In the final passages, Wai wets and darkens the paper to an extreme and repeatedly punctures it with his pen, acts that for Hung have the tenor of rejection and departure.
日期：2020年5月1日 - 5日
地点：熊辉柴湾工作室
参与者：熊辉、韦邦雨
尺寸：70 x 138 公分
工具和材料：生宣、黑色墨水笔，铁尺、纸雕
开始创作前，熊辉和韦邦雨分别在两张宣纸纸条上写下一段愉悦和一段悲哀的记忆，然后将其中一张纸条与另一位画家交换（不说明是愉悦还是悲哀）。他们按照两段记忆的感觉，把纸条做成一个纸雕，从而在随后的绘画中建立起意象和情感上的联系。韦邦雨做了一口枯井，在幽闭的空间里面放置一颗星星，引入了坚固、隐逸、黑暗与光明的感觉，而熊辉则做了一束松散的花束，将追求与悔恨的情感穿插在线条中。的确，熊辉的线一直向韦邦雨的线逼进，但后者却如一堵坚硬的墙拒之于外。在最后几段韦邦雨用水和墨把宣纸湿透，并反复用笔刺破它，仿佛在拒绝和离弃一切。
Dates: May 1 – May 5, 2020
Location: Hung Fai’s studio, Chai Wan
Participants: Hung Fai, Wai Pong-yu
Size: 70 x 138 cm
Tools and materials: unsized xuan paper, black ink pens, metal rulers, paper sculptures
Interaction: the artists sit on opposite sides of the paper and proceed from one short end to the other sequentially
The artists return to the bipartite composition, but with a twist. Before starting to draw, Hung and Wai each write a positive and a negative memory on two slips of xuan paper and then exchange one of the slips with the other artist (without indicating whether it is positive or negative). Each then materializes and fuses the two memories by turning the slips into a paper sculpture, which anchors the subsequent drawing with imagistic and affective associations. Wai makes a compact, circular well and places a star inside it, introducing the themes of solidity, reclusion, and darkness and light; Hung makes a loose bouquet of flowers, inflecting his lines with feelings of pursuit and remorse. Indeed, Hung’s lines consistently push up against Wai’s despite the stark vertical boundary set by the latter. In the final passages, Wai wets and darkens the paper to an extreme and repeatedly punctures it with his pen, acts that for Hung have the tenor of rejection and departure.
日期：2020年5月1日 - 5日
地点：熊辉柴湾工作室
参与者：熊辉、韦邦雨
尺寸：70 x 138 公分
工具和材料：生宣、黑色墨水笔，铁尺、纸雕
开始创作前，熊辉和韦邦雨分别在两张宣纸纸条上写下一段愉悦和一段悲哀的记忆，然后将其中一张纸条与另一位画家交换（不说明是愉悦还是悲哀）。他们按照两段记忆的感觉，把纸条做成一个纸雕，从而在随后的绘画中建立起意象和情感上的联系。韦邦雨做了一口枯井，在幽闭的空间里面放置一颗星星，引入了坚固、隐逸、黑暗与光明的感觉，而熊辉则做了一束松散的花束，将追求与悔恨的情感穿插在线条中。的确，熊辉的线一直向韦邦雨的线逼进，但后者却如一堵坚硬的墙拒之于外。在最后几段韦邦雨用水和墨把宣纸湿透，并反复用笔刺破它，仿佛在拒绝和离弃一切。
