INKstudio is an art gallery based in Beijing and New York. Its mission is to present Chinese experimental ink as a distinctive contribution to contemporary transnational art-making in a closely-curated exhibition program supported by in-depth critical analysis, scholarly exchange, bilingual publishing, and multimedia production. INKstudio's program encompasses Postwar and contemporary artists from China, Taiwan, Hong Kong, Korea and Japan including Bingyi, Chang Yahon, Chen Haiyan, Cheng Yen-ping, Dai Guangyu, He Yunchang, Hung Fai, Huang Zhiyang, Inoue Yuichi, Jennifer Wen Ma, Jeong Gwang Hee, Kang Chunhui, Kim Jong-ku, Lee In, Lao Tongli, Li Jin, Li Huasheng, Lim Hyun-lak, Lim Ok-sang, Liu Dan, Peng Kanglong, Ethan Su Huang-sheng, Tao Aimin, Tseng Chien-ying, Wai Pong-yu, Wang Dongling, Wang Tiande, Wei Ligang, Xu Bing, Yang Jiechang and Zheng Chongbin and exhibits works of diverse media, including painting, calligraphy, sculpture, installation, performance, photography, and video. Since its inception in 2012, INKstudio has regularly appeared at art fairs such as the Armory Show (New York), Art Basel Hong Kong, and West Bund Art & Design (Shanghai) and placed works into major public collections, including the Metropolitan Museum of Art, Freer-Sackler Galleries, Los Angeles County Museum of Art, Art Institute of Chicago, Museum of Fine Arts Boston, Brooklyn Museum, Philadelphia Museum of Art, Asian Art Museum of San Francisco and M+ Museum, Hong Kong.
Dr. Britta Erickson, INKstudio’s Artistic Director, drives all aspects of its programming and scholarly activities. An independent scholar and curator living in Palo Alto, California, she has curated major exhibitions at the Arthur M. Sackler Gallery, Washington, D.C. (Word Play: Contemporary Art by Xu Bing) and the Cantor Center for Visual Arts, Stanford (On the Edge: Contemporary Chinese Artists Encounter the West). In 2007 she co-curated the Chengdu Biennial, which focused on ink art, and in 2010 she was a contributing curator for Shanghai: Art of the City (Asian Art Museum, San Francisco). Dr. Erickson has written numerous books, articles, and essays on contemporary Chinese art. She has produced a series of short films about ink painting entitled The Enduring Passion for Ink. Ms. Erickson is on the advisory boards of The Ink Society (Hong Kong) and Three Shadows Photography Art Centre (Beijing), as well as the editorial boards of Yishu: Journal of Contemporary Chinese Art and ART Asia Pacific. In 2006 she was awarded a Fulbright Fellowship to conduct research in Beijing on the Chinese contemporary art market. Dr. Erickson received her Ph. D. in Chinese Art History from Stanford University.
